Anurag Kashyap Critiques Bollywood, Plans Move to the South for Creative Freedom

Anurag Kashyap Critiques Bollywood, Plans Move to the South for Creative Freedom

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Filmmaker Anurag Kashyap, known for his blunt and unapologetic views, has expressed deep disappointment with the current state of Bollywood, criticizing the industry's focus on profit and star-making culture. In a candid interview with The Hollywood Reporter India, Kashyap revealed that his disillusionment has reached such a point that he is planning to leave Mumbai next year and relocate to South India, seeking a more creatively stimulating environment.

Kashyap’s frustration centers on what he perceives as Bollywood’s overwhelming obsession with financial success at the expense of artistic innovation. He lamented how skyrocketing production costs, particularly the rising entourage fees of actors, have turned filmmaking into a business-driven venture, stifling experimentation and creativity. "Now it is difficult for me to go out and experiment as it comes at a cost, which makes my producers think about profit and margins," Kashyap explained. He described how, from the very beginning of a project, the focus shifts from artistic vision to how best to sell the film. "The joy of filmmaking is sucked out," he added, emphasizing that this lack of creative freedom has driven him to consider relocating to the South.

Drawing a sharp contrast with the South Indian film industry, Kashyap expressed admiration for its emphasis on storytelling and original content. He pointed out how Bollywood is often more interested in remaking successful films rather than exploring new ideas. Citing the example of Manjummel Boys, Kashyap remarked that a film like this would never originate in Bollywood unless it were a hit that could be remade for commercial gain. "The mindset is to remake what's already worked. They will not try anything new," he said, critiquing the industry's lack of originality.

A key point of frustration for Kashyap is the rise of first-generation actors in Bollywood who, according to him, are more focused on becoming stars than developing their acting skills. He accused talent agencies of fueling this culture by prioritizing physical appearance and glamour over actual craft. "Instead of sending them to workshops, they send them to the gym," Kashyap said, noting that this shift in priorities has led to an environment where actors are often difficult to work with. Kashyap's frustration with the industry's approach to talent development is compounded by what he sees as a lack of genuine camaraderie among its members. He shared personal experiences of being "ghosted" by people he once considered friends, a behaviour he finds rare in the more tightly-knit Malayalam film industry.

Kashyap’s critiques come at a time when he is balancing his career in Bollywood with personal milestones. The director is also venturing into South Indian cinema. He recently appeared in the Malayalam action thriller Rifle Club, directed by Aashiq Abu, and his involvement in films like Viduthalai Part 2 highlights his growing interest in South Indian projects.

Despite his disillusionment with Bollywood, Kashyap’s move to the South signals his commitment to creativity and storytelling, rather than chasing profits. "I envy them (South filmmakers). I just cannot stay in this industry any longer. If I do, I’ll die an old man," he concluded. His decision to seek a fresh start in South India underscores his dedication to a more fulfilling and innovative filmmaking experience, one where the art is not overshadowed by commercial interests.